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Yesterday evening we strolled along to the opening of Change of Signature, billed as a multimedia installation, at Testbed 1, a local exhibition space that I hadn't come across before. And it proved to be a fascinating show. The venue is a large, stripped out industrial space: uneven concrete floors, distressed iron girders, ceramic tiled …

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What a revelation the current Tate show, Schwitters in Britain, is. Although the main focus is on late work by Schwitters, made after his arrival in Britain as a refugee in 1940, the exhibition does include work from earlier periods in Germany and then Norway, and highlights the breadth and inventiveness of his art throughout …

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